Monday, September 29, 2008
we love sigur ros...
ok, so we got this from tim. (see below) we're happy to be a very small part of the sigur ros show...
peace,
marc
"I saw Sigur Ros in Denver on Saturday night at Red Rocks. The show was amazing, of course. What I wasn't expecting to hear that caught my attention was the music being played on the loudspeakers during the time between the opening band and Sigur Ros. Who was it? Our beloved Hammock! They had "84,000 Hymns" on repeat." Tim
Posted By Hammock Music at 5:19 PM
1. Maybe They Will
Sing For Us Tomorrow
or iTunes
1. Raising Your Voice...
Trying to Stop an Echo
Trying to Stop an Echo
or iTunes
2. The Sleep Over Series Volume 1
The Sleepover Series Vol. 1 is a record of beatless, ambient, atmospheric soundscapes. It's called Sleepover because it is extremely dreamy and contemplative, consisting mostly of ambient guitar with a few keyboards thrown in. Hammock has one track on the record, but the rest was written, recorded and performed by Marc Byrd.
NEW $10.00
Purchase Now<<
The Sleepover Series Vol. 1 is a record of beatless, ambient, atmospheric soundscapes. It's called Sleepover because it is extremely dreamy and contemplative, consisting mostly of ambient guitar with a few keyboards thrown in. Hammock has one track on the record, but the rest was written, recorded and performed by Marc Byrd.
NEW $10.00
Purchase Now<<
3. Stranded Under Endless Sky: EP
Only $4.99
or iTunes
4. Kenotic - Debut
Only $9.99
or iTunes
>>TWO ALBUMS FOR One PRICE
Purchase Stranded Under Endless Sky and Kenotic together for only $12.00
Purchase Now<<
>>OTHER SPECIALSPurchase Now<<
Purchase the limited edition Stranded Under Endless Sky Vinyl for only $4.00
Purchase Now<<
Purchase Now<<
we love sigur ros...
Story Site Is Up, With Music Clips...
Album Available at Darla, New Songs, New Story Sit...
Echoes, artwork, release date, etc...
More info, live shows, new record, etc...
new record
News pt. 1...
exciting news...
exciting news...
Madeleine L'Engle R.I.P.
October 2005
November 2005
December 2005
January 2006
February 2006
March 2006
May 2006
July 2006
August 2006
September 2006
October 2006
November 2006
December 2006
January 2007
February 2007
March 2007
April 2007
May 2007
July 2007
August 2007
October 2007
November 2007
January 2008
March 2008
April 2008
September 2008
>>Reviews
Chosen by Echoes listeners as a Top 25 release of 2006, named by Echoes as Top 25 Essential CD of 2006, and Echoes CD of the Month for January, 2007
Pick of the week for Filter Magazine and cited as a Top 10 release for 2006
"Raising Your Voice... Trying to Stop an Echo" is a massive artistic statement. A Gravity¹s Rainbow of ambient chamber rock, it defies the iTunization of the world. You want to hear the whole thing, slipping it on, cranking up the volume and riding it into an infinite sunset. A dream guitar masterpiece" --John Diliberto, Host, Echoes
Named #2 in Silent Ballet's Top 50 Instrumental Releases of 2006. "Hammock follows up its debut album with another collection of utterly indescribable and magnificent songs...This is music that seeps deeply into the pores and goes straight for the heart...Brilliant only begins to scratch the surface..." --The Silent Ballet
9/10. This longing, melodic, melancholic, and thoughtful texture that seems to tug at one¹s heartstrings from start to finishÅ It¹s the type of music that hits you in the gut immediately, Nothing about this album is less than Grade A+ material. It's an album that forces one to reflect on both the highs and lows in one¹s life.² ÂPop Matters
Throughout the eighteen tracks there is a glorious stillness to be found, even when the drums turn the album into a shoegazing masterpiece, the guitars throwing lazy shapes (and the occasional shadow) across the tunes Opening track 'I Can Almost See You' is as beautiful as anything you have heard this year, an album that is best appreciated when heard in its entirety, although it can be neatly summarised by listening to 'Floating Away In Every Direction', the title speaks volumes and the music perfectly matches the sentiments, but don¹t take my word for it, go and get your own copy and be transported. ÂSimon Lewis, Terrascope
Waves of glimmering Cocteau Twins-like guitar traverse over barren landscapes, twinkling like nearby constellations. It is at once distant and extremely joyous, a life affirming, yet somehow Zen-like expression of mood and of depthÅ It's a lot to take in, and each minute is profoundly emotive and heartbreaking. Hammock may require patience, but those who possess it will be rewarded in spades.² ÂJeff Terich, Treble Magazine
Hammock's brand of musical expression is honest, patient, meticulous and acknowledging of the warm-blooded nature of its listeners. It stirs the soul like little other music that's out there in this day in age.² ÂLuke Daniel Rush, Sound the Sirens
"The Hammock sound is unique; harsh yet beautiful, and curiously satisfying while still leaving one wanting more. Raising Your Voice is a work of genius by a duo who are pathfinders in guitar based drone ambience. It's essential listening for anyone interested in ambient music." --Dene Bebbington, Melliflua
"Hammock's sad, epic music bathes the listener in multi-tracked electric guitars swimming in a sea of reverb and gentle distortion, sometimes alone, sometimes with piano, cello and/or a steady rock backbeat. It's a somber, fuzzy sound but crucially a melodic one too, with an appeal to both electronic ambient and indie rock listeners." --Ambient Music Guide
"Just when you thought this amazing band could not attain the splendid heights of their previous efforts, they go ahead and release a jaw dropping disc of pure sonic BLISS at the end of 2006! Not since the golden days of Brian Eno has an artist created devastatingly beautiful atmospheres that transport you in a dreamlike state beyond the stars..." --Dark Symphonies "5/5. Gorgeous. Stunning. Sublime! Deserves no distractions or interuptions from barking dogs, people talking and general noise pollution. A candidate for best ethereal rock record of the year." --Kenyon Hopkin, Advance Copy
Pick of the week for Filter Magazine and cited as a Top 10 release for 2006
"Raising Your Voice... Trying to Stop an Echo" is a massive artistic statement. A Gravity¹s Rainbow of ambient chamber rock, it defies the iTunization of the world. You want to hear the whole thing, slipping it on, cranking up the volume and riding it into an infinite sunset. A dream guitar masterpiece" --John Diliberto, Host, Echoes
Named #2 in Silent Ballet's Top 50 Instrumental Releases of 2006. "Hammock follows up its debut album with another collection of utterly indescribable and magnificent songs...This is music that seeps deeply into the pores and goes straight for the heart...Brilliant only begins to scratch the surface..." --The Silent Ballet
9/10. This longing, melodic, melancholic, and thoughtful texture that seems to tug at one¹s heartstrings from start to finishÅ It¹s the type of music that hits you in the gut immediately, Nothing about this album is less than Grade A+ material. It's an album that forces one to reflect on both the highs and lows in one¹s life.² ÂPop Matters
Throughout the eighteen tracks there is a glorious stillness to be found, even when the drums turn the album into a shoegazing masterpiece, the guitars throwing lazy shapes (and the occasional shadow) across the tunes Opening track 'I Can Almost See You' is as beautiful as anything you have heard this year, an album that is best appreciated when heard in its entirety, although it can be neatly summarised by listening to 'Floating Away In Every Direction', the title speaks volumes and the music perfectly matches the sentiments, but don¹t take my word for it, go and get your own copy and be transported. ÂSimon Lewis, Terrascope
Waves of glimmering Cocteau Twins-like guitar traverse over barren landscapes, twinkling like nearby constellations. It is at once distant and extremely joyous, a life affirming, yet somehow Zen-like expression of mood and of depthÅ It's a lot to take in, and each minute is profoundly emotive and heartbreaking. Hammock may require patience, but those who possess it will be rewarded in spades.² ÂJeff Terich, Treble Magazine
Hammock's brand of musical expression is honest, patient, meticulous and acknowledging of the warm-blooded nature of its listeners. It stirs the soul like little other music that's out there in this day in age.² ÂLuke Daniel Rush, Sound the Sirens
"The Hammock sound is unique; harsh yet beautiful, and curiously satisfying while still leaving one wanting more. Raising Your Voice is a work of genius by a duo who are pathfinders in guitar based drone ambience. It's essential listening for anyone interested in ambient music." --Dene Bebbington, Melliflua
"Hammock's sad, epic music bathes the listener in multi-tracked electric guitars swimming in a sea of reverb and gentle distortion, sometimes alone, sometimes with piano, cello and/or a steady rock backbeat. It's a somber, fuzzy sound but crucially a melodic one too, with an appeal to both electronic ambient and indie rock listeners." --Ambient Music Guide
"Just when you thought this amazing band could not attain the splendid heights of their previous efforts, they go ahead and release a jaw dropping disc of pure sonic BLISS at the end of 2006! Not since the golden days of Brian Eno has an artist created devastatingly beautiful atmospheres that transport you in a dreamlike state beyond the stars..." --Dark Symphonies "5/5. Gorgeous. Stunning. Sublime! Deserves no distractions or interuptions from barking dogs, people talking and general noise pollution. A candidate for best ethereal rock record of the year." --Kenyon Hopkin, Advance Copy
On a few Sigur Ros-related notes, what does anyone think of their newest album? I felt it was excellent and included some breathtaking stuff (#1, #6, and #9 are my favorites), but it didn't ascend to the levels of Takk. Takk, for me, was just a pristine, cohesive work that fit together seamlessly, whereas With A Buzz In Our Heads We Play Endlessly seemed a bit disjointed to me. But make no mistake, the individual tracks were wonderful and the album was still a 9/10. I guess Takk is just way up there in the stratosphere, virtually untouchable for the rest of eternity!
Also, has anyone seen the notorious NPR interview with Sigur Ros? I had heard about it and just recently saw the footage. YIKES. Very uncomfortable to watch... I would love to know the story behind why they gave the interviewer such a cold shoulder. I mean, his questions were a little shoddy, but MAN. Anyone have any background info?
Anyone have any ambient/shoegaze/post-rock that they'd like to recommend, along the lines of the bands I mentioned earlier?
peace out,
Jeremy
Post a Comment
<< Home